Saturday, July 25, 2009
Through Tough Times
Thursday, July 23, 2009
Phantoms, Part 6
But I remembered. I grew up mountain biking before I knew such a thing existed, cruising my parents’ farm. A downhill chute, four feet wide, ran between the east cornfield and the machine shed, opening in the gap between the shed and the barn, closing down to a green tunnel between barn and field which would spit me out near grandpa’s garden at top speed. I’d veer out of the chute at the corner of the barn, cross the broken concrete of the empty cattle lot, pedal frantically to the two-foot drop at lot’s edge, and lift off, a frenzy of sound meeting the anticipatory silence of flight. Landings in the garden meant flat tires, bloodied elbows, a mouth full of dirt, ringing ears, but who cared about consequences when you were in the air? Were the astronauts, my childhood heroes, worrying about the landing when they saw sky give way to space?
My father doesn’t mountain bike because it’s marketed as an “extreme” sport. He doesn’t understand or want to understand all this “extreme” nonsense. As if on schedule, exactly thirty years after leaving Kent State as an idealistic liberal, he has become a grumpy old bastard. “What’s this Mountain Dew commercial about? All these mountain bikers screaming at me... what’s the point of that? Stop screaming. Go get another piercing.” He puts on a good show, but I can see the fear and bewilderment. In a span of time that must seem sudden to him, the counterculture has gone from peace signs and pot to nose rings and heroin. The new teachers he hires at his school are younger than his own children. A stomach which once tolerated morning pizza heated over a dorm desk lamp has become delicate. On his forehead, the hair has gradually crept away at the corners leaving only a narrow peninsula in the center. After fifty-three years and two heart attacks, he is just starting to accept the possibility that he might be getting old.
Schwinn first reissued the Black Phantom in 1995 to celebrate both their centennial and their return from the ashes of bankruptcy. The company had gradually cashed in on the growing rush for “retro” bikes with some less-expensive replica cruisers, but the ‘95 Phantom aspired to much more than these novelties could ever hope for. It was to be an exact copy of the original, top to bottom. The project was to create pure anachronism, bicycles designed from crumbling original blueprints, constructed with tools that had not been used in almost half a century. Where original tools could not be found, they were built, created from history and memory to fabricate one small production run at an astronomical cost. The 1995 Phantoms were born of human touch in an industry dominated by computer-controlled robot welders. The project cost a fortune, well beyond what the company could recoup from the sale of the bikes, even at almost three-thousand dollars each. It made no sense. It was beyond business. It was irrational. And it was beautiful, all the way down to the tiny ridge across the bottom bracket replicating a flaw in the original casting process. I imagine the idea taking root not in conference rooms, but during a ride. A group of true bicycle nuts pause after a long, hard climb to catch their breath, and in the dizziness of oxygen debt, someone jokingly says, “why don’t we build a Phantom?” After the ride, over coffee and donuts, someone else starts drawing on a napkin, tracing the chromed curve of a springer fork, a design Schwinn hasn’t built in decades, and something in that curve sticks in the imagination.
However the concept was planted, it slowly grew from silly idea to fully-realized rubber and steel, history rendered in metal. The company had faced death, become an industry joke, and come screaming back to legitimacy. What better way to announce its return than with a piece of the past, a bike that, like its parent, would surprise the industry simply by existing, enduring? So Schwinn created the 1995 Black Phantom reissue, a small pocket of 1950s America, a testament to durability, to timelessness. At work, when I walk past the reissue, I cannot help but pause, awestruck. The bike is 1955 made tangible, a blend of deco design and car culture lifted into another era. It is graceful. It is brash. Ridable examples of the original Phantoms still exist today, and I don’t doubt that this reissue will still be begging to be pedaled forty years from now. The bike laughs at time, dares aging to touch it.
Those original Schwinns would eventually become the first mountain bikes. In the early 1970s (while I was busy navigating sidewalk cracks on a green tricycle) a group of riders were resurrecting big Schwinn cruisers from California junk piles, driving them to the top of mountain roads, and riding down at top speed. Each run burned most of the grease out of their antique coaster brakes, forcing the riders to repack their hubs with fresh lubrication. To most of the 1970s cycling world, this new kind of riding made no sense. In a bike culture enamored with slender European road racing machines, the very idea of riding down mountains was laughable. Yet, each weekend, a group of accomplished road racers donned jeans and flannel shirts and did just that, sliding through switchback corners on their sixty pound relics. They fell. They drew blood. They broke bikes. They broke bodies. Then, they laughed, went back to the top, rode again, fell again, bled again, laughed again. And those bikes, those abandoned, rusted relics raised from the dead refused to act their age, taking flight just as they had under exuberant ten-year-olds in 1955.
Saturday, June 6, 2009
unsteady states
State One: I wear padded bike shorts, a jersey with rear pockets and stiff-soled bike shoes, and take the drop-bar road bike out for a longer ride. This ride is often done alone, though occasionally with faster friends who need a "rest day" ride and are therefore more willing and able to match my pace. We average speeds of 13 to 14 mph, which is on the speedy side of things for me. The reason I know how fast we're going is because my drop-bar bike has a computer on it, something I added when I started riding populaires a couple of years ago and needed a computer that was accurate enough to sync up with the cue sheets. On days when I feel limber and fluid, my pedaling is effortless and smooth and I enjoy the feeling of fleetness, even as I struggle to keep up with my faster friends. On the days when I'm wrestling with my perennially bad knees and my breath is wheezy from allergies, or I'm beset by too many bathroom stops, my pedaling slows and I feel frustrated. In this state, trying to be an athlete reminds me precisely that I am NOT one.
(graphic designed by J. Edgar; t-shirts available at http://www.cyclofiend.com.)
Friday, May 8, 2009
The Answer
A friend, who happens to not be a cyclist, once asked me what I enjoy about cycling. I think he was mainly making polite conversation. Even so, he might have been mildly curious about what aspect holds particular attraction for me. He might have been trying to get at what specifically is the reward to spinning pedals, round and round, for hours without end, in weather he thinks is best endured indoors.
Sunday, February 22, 2009
Tour of California devilsh details

Chas keeps an eye on the Amgen Tour from the telly.
I prefer le plein air.
I went up to Santa Rosa (with Peter Rich, future inductee of U.S. Bicycling Hall of Fame)and down to Sausalito, both quite rainy days, in order to witness the goings-on.
Crowds like in Europe. Maybe this will be the beginning of something like the Tour de France.
Not surprisingly, there were old friends like artist Taliah Lempert and Dave Perry in the crowd. Bumping into them seemed miraculous. Dave’s a champ racer from the early 1970’s, and he blethered with P.R. while I blagued with Taliah, and somehow we got talking with Connie Carpenter (my old racing colleague as well as boss at 1989 CarpenterPhinney bicycle greatness camp).
It was all very cool. About 48 degrees, and wettttttt.
I went home and scribbled a bit for the Pacific Sun, and am happy to see that people like the story.
Charlie told me about what I missed on TV…something the announcers refused to comment on: a yellow and black caped devil brandishing a HUGE twin-speared syringe pitchfork, jogging along one of the snow-edged roads, jabbing at the riders until Lance shoves him into the snow. I found a decent sequence onlline…but doubt the mainstream media will show what a gadfly with the words Live Clean on his cape has to say about pro racing (several of the riders are back from 2 yr drug suspensions).
Phelan peckish? Check our hoard oeuvre…
Wednesday, January 28, 2009
meant to be used

Last week I noticed that my Simplex B & B front derailleur, after ten years on my bike, had cracked at the clamp. Not sure how long it had been that way, but knowing I needed to replace it, I began scrounging around in my stash of bike parts until I found its replacement.
I'd obtained an even older Simplex Super LJ derailleur about a year and a half ago and stored it away in anticipation of this event. Last night I made the swap, and rode home with the new dearilleur secured to my bike. It worked fine and I was happy.(Side Note One: All bike mechanics have a private stash of parts. The variety and generation depends largely on the generation of that mechanic and the beginning of his/her serious technical interest in bicycles. Most of my parts, for example, reflect a mid- to late-1970's sensibility; while a younger mechanic might have a collection of early-generation mountain bike parts. Most of us keep a small supply on hand with which to repair our own bikes, and perhaps family members' bikes as well. We also tend to hoard parts if we know it will be difficult to replace a part we particularly like. For example, I have this wacky thing for Suntour Power-Ratchet stem shifters, and I have five sets in my parts box. Since there's not much call for this component I don't feel especially guilty for hoarding five sets. If it were something rarer and more in demand -- like 1970's-era Campy Record derailleurs -- my level of guilt might increase, at least a little.)
Because Simplex is a company that no longer exists and whose components are of historical interest to bike tech freaks, I posted photos of the repair on my Flickr page.
Within hours of posting the photos, I received an email to my Flickr box from a fellow who scolded me for using such a rare and valuable component on my bike. "You should remove that part immediately and either store it, or put it on ebay. In fact, if you want I'd make you an offer for it that I suspect would be far more than you paid for it."
Well, he was right. I'd paid only ten bucks for the derailleur, because it came into the shop as part of a large lot of used parts, and I'd bought it with my worker discount. As for storing it, well, I'd already DONE that for a year and a half; now that I needed it, it was there for me. I figured my mission had been accomplished.
(Side Note Two: when I first started working in the bike shop where I remain employed today, we kept a large case of vintage bike parts on display. We mostly kept the nice stuff in there, like early Dura-Ace and Campy. A couple of times a year, a Japanese businssman would come through town, and he'd call ahead to see if our case was full. It usually was. He'd swing by an hour or so later, and proceed to virtually clean us out. We'd be several hundred dollars richer and he'd walk out with a box of fancy old bike parts. This had gone on for a few years by the time I was hired.
One day we asked him where all those bike parts were going. He replied, "I take them back to Tokyo, have my doctor friend clean them in a sonic cleaner, and then I put them on display in one of the glass showcases in my office lobby."
We were dumbfounded. The guy was buying up all these parts and then just sitting on them? "Don't you ever use any of them on a bike?" I asked politely.
The businessman shook his head emphatically. "Oh, no," he said. "These are special parts that are no longer being made. They are status symbols in Japan. To use them on a bike would be to destroy them." Seeing that we were still confused, he added, "I and my friends are great lovers of bicycles, and we collect and trade these parts with each other to complete full component sets."
I imagined twenty such offices in high-rise towers throughout Tokyo, filled with gleaming, restored Campagnolo parts that would never go outside again.
We thanked the man for his business. He loaded the box of vintage parts into his rental car and drove away. We decided then and there that we would never again allow him to clean out our case. We'd rather sell at least some of those old parts to people whose old bikes actually needed them to keep going. When he called us the following year, we lied and told him there hadn't been much to come in lately. He was surprised but accepted our story. Seven months later, he called and one of my co-workers did the same thing. He must have gotten the message because I'm told he never called or came by again. But by then, Ebay had begun to siphon off the supply of good, older bike parts from the shops.
Within a year of that man's last phone call to us, we'd noticed a real falling-off of higher-quality used parts and frames coming into the shop. The genie had been let out of the lamp and could never go back; people began to perceive that their stuff was worth far more than shops had traditionally paid out, the parts began appearing on Ebay and Craigslist more frequently. That was pretty much the end of the "innocent" age. Unfortunately, it was also the end of being able to easily find old parts that fit older bikes, and our vintage parts case has never been quite as full since then.)
I wrote back to the fellow who'd emailed about my derailleur swap. I thanked him for his advice and his interest, but explained that I bought that derailleur with the intention of using it, as I feel that bike parts were meant to be used on bikes. I planned to ride with that derailleur until it crapped out, and would not feel a shred of guilt at the idea.
I haven't heard back from him and I suspect he thinks I'm nuts. That's okay by me.
Saturday, January 10, 2009
Too Many Options?

On the bicycle, the simple, fixed-wheel doesn't give many options. One either develops a certain skill and rides well, or he probably doesn't ride. The rider of the simple machine learns efficient cycling experientially. He masters the preservation of momentum by doing. He works with the terrain and circumstances given. Like a craftsman, he applies practiced skills to make something of beauty of his resources.
Might this be true in living? Perhaps we reach a point at which we have too many options. We come to a place where we spend too much time evaluating choices. Or we devote too much of our resources developing, maintaining, repairing, rehabilitating, and upgrading complexity...so life might be more convenient. Or faster. Or more entertaining.
Recently, I removed the complexity of coasting and the option of shifting gears from my bicycle. I returned to the simple, fixed-wheel configuration of last summer. Riding the bicycle is a little more work. It is arguably slower in some conditions. But I believe it makes me a stronger, more skillful rider.
I wonder if the same disciplined approach to remove options in other areas of life would build in me a stronger character and make me a more skillful friend.